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I Got Published

Someone pointed out to me that all of my blog posts are like 500+ words long. Perhaps some people like that, but I imagine most of you sit down, start reading, and then say to themselves a few moments later “I don’t have time to read this, forget it.”

Maybe I’m wrong, but either way today I have a very short announcement: I got published. It’s nothing major, but it’s also not just something unimpressive like an online zine that is practically begging for submissions and will take anything with proper grammar. I talked about Ether Books before (check the link to my review on them below for more info), and that’s who accepted a short story of mine. It took about a month and half for them to get back to me, but that’s not too bad considering that they are a pretty big company, and are always growing.

Within two weeks my first published piece of fiction will be available to download through the Ether Books app on your iPhone (or smart phone?) or through iTunes. You can download the iTunes app to your computer here. The story is not available for download just yet, so in the meantime I’ll give you a short taste of the story “Company Girl”. Enjoy.

 

He’ll kill you, Johnny.

    The asphalt felt like jagged teeth against the balls of my feet. Clawing, digging, biting at my bare calloused flesh with each hurried footfall. The chill breeze nipped at my skin, goosebumps pouring down my spine. How long do I have? I couldn’t see the moon in the sky. Clouds veiled the luminary like shadowy fingers—as if someone jumped me from behind; a bag thrown over my head as they pulled me into the darkness. I could hardly see my own hands in front of my face. How did I get myself into this mess?
    The rustling obsidian walls at either side exhaled a devilish howl, the icy wind clinging to my bones …

 

Want to read more? I’ll be posting as soon as the story is available for download; I’d much appreciate your support!

Writing Communities To Watch, Prologue: How Can The Internet Help Your Writing?

As an unpublished (or even published) writer, the internet can be a very useful tool. That thought may come across as “the internet will help you find job and/or get yourself published”, but while that can be true, that’s not what I’m referring to. Getting published and making money doing something you love is great—wonderful even, but something comes before that, in my opinion.

What am I talking about?

Writing + Internet = ?

It’s not a cement concept I’m talking about here, but in simple terms, the internet can help you grow as a writer. How exactly? That’s where the idea gets murkier. You have to choose wisely where to “train” your skills, so to speak, on the internet. When you’re uploading your own material for others to critique, anyone can say anything. In spite of that, as a writer you should be able to take positive points even from the most wantonly negative feedback as well as the positive. Some people may simply pat you on the back for what you’ve written. There’s merit in that sort of thing, but it’s rather small. Encouragement is key for new writers to grow. After all, if you don’t have faith in your writing yet, having someone tell you it’s good is a vital step in the growing process.

Of course, what you really want to find is good constructive criticism. This can be difficult to find, but odds are that if you’ve shown your writing to anyone before, it’s been your friends and family. Sometimes that can be great, but it’s hard to get unadulterated feedback from your personal acquaintances (unless your personally know a writer or editor). Whenever my mother or grandmother happen to read something of mine, there’s a disproportionate amount of positive as opposed to negative. That’s natural, and that’s why it’s key to find unbiased, educated feedback on your work.

If you write unopposed, you’ll never grow as a writer.

That sounds like an odd term to use, doesn’t it? Unopposed. I thought for a moment when I typed that, and I think the word fits perfectly. As a writer, you are trying to convince your readers that you’re good at what you do. It’s a battle of personal skill, and it never ends. Even established authors receive terrible reviews. The aim is to convince the majority of your readers that you know your stuff. You can never get everyone. Look at someone like Stephanie Meyer who wrote what is probably the most influential and popular book series of the modern generation. Some people absolutely love the Twilight saga, and some think it’s absolute rubbish. I don’t mean to argue for or against how skilled of a writer Stephanie is—the point is that she hit her audience hard. There will always be haters, but in the end, if the majority of your audience loves what you’ve done? You’ve succeeded in what you set out to do.

But what’s all this business about your writing being “opposed”? Like I said above, you’re fighting for your readers’ respect in a way. To be successful in that endeavor, you want to bulk up your writing muscles. Any skill is like a muscle, and writing is no different. You practice continuously—and eventually the muscle grows. However, if you want successful exercise in this sense, you need resistance, tension, something pushing back against your effort. This is where the internet can come in.

You’re not alone out here. There are thousands upon thousands of people who want to do exactly what you want to do. That’s a blessing in one way, and a curse in another. It’s a curse in that it’s difficult not to become lost in the flood; you have to fight to stand out. It’s a blessing in that you have many, many peers who are helpful and willing to aid in your growth as a writer. This input comes in many forms, but one of the strongest applets you have available to you is the public writing community.

If you noticed the title of this post, what you’re reading is a prologue. This will be a series, highlighting different writing communities across the web and the pros and cons of each of them. The purpose of this first post is to explain the merit behind using writing communities, while the installments following this will review various writing communities. Simple, right?

The difficult thing is using the internet in general correctly as a tool to improve your writing. It’s going to take effort and intuition on your part to find useful beta readers, critique, etc. On any given writing community, you can very well find a fellow writer who might be willing to read over your work in order to give you many forms of constructive criticism. Everyone is at a different writing level, so while one person may be able to help point out grammatical errors and minor things, another might be able to give insight into much deeper matters, such as character development and plot. It’s up to you to find the right person, and that can be a challenge in its own right.

I once talked quite a bit with a fellow writer—a young guy about a year younger than me. As soon as I met him, I could tell he thought quite a bit of himself. I can see that in people, because while I may not think “I’m hot stuff”, I can be relatively hardheaded and opinionated. I know how to be tactful, but at the same time, I have no problem telling people what I think. I’ve done a lot of critiquing myself for other writers, and I think I’m fairly helpful in that sense. I can sit down and tell someone “This is off”, but at the same time I can see why they wrote what they did. I can see the merit in it, regardless of execution. I always try to do something when I read over someone’s work to give them constructive criticism; I highlight how they can take the idea they are trying to convey to their reader, and make it stronger and more relatable.

This may or may not be him, but the idea of the attitude is clear enough.

When it came to this young man I was in contact with, like I said, I could see the kind of personality he had. Still, he wasn’t a terrible writer, and I’m open to all the criticism I can get. He read over a chapter of my novel Children of Solus and gave me some reasonable thoughts. At this point I thought “Hey, this guy is cool”, and a month or so later he messaged me, bored and wondering if I had anything that I wanted read over and criticized. Since he offered, I sent him a couple short stories. Awesome, right?

Not quite. In a setting where he had the Word document in front of him, and the ability to type his comments beneath each chunk of written story, his true colors were shown. I understand some critics are quite harsh, and I’ve received relatively harsh feedback. In fact, I like harsh feedback, because when I read it, I have to argue with myself why each comment against my writing is wrong. Sometimes those arguments in my head aren’t very strong. Sometimes they have holes. That’s when I have to take a step back and say “Okay, that’s actually a really good point”. In the end, it augments my writing and makes it better.

However when it came to this guy, he basically tore open every point he could possibly convince himself was “wrong”. To illustrate how petty he was, he wrote an entire paragraph bashing the fact that an eight-year-old said thank you, claiming that the simple phrase of “thank you” didn’t fit that age, and that it made the reader think the character was a teenager. He even ignored the fact that the child had a strict upbringing. No child says thank you, huh? All the while, he was so terrible at interpreting the simplest concepts that he didn’t even discern that the “thank you” he ranted about so much was said in a sarcastic manner. It was an incredibly simple concept within a story that was written in a very dumbed down fashion from a child’s perspective.

Still, any insight can be useful, and a few of the things he brought out I did consider into an ongoing second draft. Funny enough, the next criticism he brought out basically told me “You’re stupid and wrong” concerning the title of a certain therapist in the story. Little did he know I’ve personally been to psychologists and psychiatrists too many times to count, yet here he was telling me I didn’t know what I was talking about, and to do some personal research before I make things up. From this point alone, I could tell he was a know-it-all.

Still, like I said, even the most uselessly cynical of criticism can aid you in your writing—you just have to grow some thicker skin. I replied to him, explaining certain points that I did not agree with him on, explained my personal experience with therapists, and I thanked him for his effort and the points that he did bring to my attention that I agreed with (even though after the first section of the story, he decided “This sucks, you need to rewrite the whole thing” and didn’t even read the last three quarters of it). He came back at me swearing and generally being an ass, telling me my story was Jr. High level at best, along with a slew of other needlessly hurtful comments. The fact that I even slightly criticized his criticism just made him flip out. I can’t imagine how this guy takes criticism on his own stories.

Don't let overly negative feedback affect you.

Obviously I found someone who was not a very good critic. I knew my story had issues (I wrote it over the course of a single night), and certainly needed cleaning up, but the points he picked on were terrible. I could have read it over myself and created better arguments with myself. Still, the entire thing kind of shook my faith in myself. I know I’m a pretty good writer. There’s a lot of room for growth, but I know I don’t write Jr. High quality work. Regardless, I felt like crap for a few days after until I showed the story to a trusted friend of mine who not only writes, but also is a talented comic artist. She’s tough too, and she pulled apart things as well, but they were useful things. Through her input, I know that when I do sit down to create the second draft, it’s going to be a lot better.

That’s the thing when it comes to this subject. You have to glean good criticism from bad, and negative doesn’t equal bad. Odds are that facets of your stories suck. When someone points them out, hopefully they do so in a tactful way, but even if they don’t, you need to take their input with a grain of salt. Your writing will benefit. All the while, look for markers in the personalities of people who criticize you. If they’re acting like a holier-than-thou know-it-all, you’re probably not going to get very useful criticism. Looking back at my bad experience, the only written material the guy had online were political rantings and mediocre poetry. It’s smart to look at written work of someone who might review your writing. If their writing sucks, they might not be able to help you much.

In the next installment, I’ll talk about a writing community that I have quite a bit of experience in, called WritersCafe.org. Be sure to follow me or check back soon for an in depth review on the first writing community in this series!

2012 Hits!

Yesterday (I think) the Sundance Press reached total 2012 hits.

Sweet.

I think that’s pretty cool, and I just wanted to say thank you to all my subscribers and readers. When I started this blog little more than a month ago, I didn’t expect much. I’ve never, ever written a blog. The social media game is kind of something I got sucked into as I realized the necessity of it for writers trying to break into the industry. I wasn’t too keen on jumping into Facebook and Twitter. That’s just not my thing, but what can you do? I also knew I needed to create a blog, and the Sundance Press was born.

Since then, I’ve grown to enjoy maintaining this little blog. I’ve put a lot of effort into it, and even created my own graphics for the site (another graphical update is coming soon). Once upon a time, I updated it everyday. Unfortunately through sickness, laziness, and lack of constant ideas, I don’t do that anymore. I try my best, but I put a lot of time and effort into my instructional posts. That takes time, and it’s all off the top of my head and a product of my personal experience. Some people use other teachers’ publications as a basis for their posts, and there’s nothing wrong with that, but I personally try hard to give all of you unique tips and tricks. I’m no expert, but I get a lot of satisfaction knowing that I can impart some of my own wisdom to fellow writers. It takes time to think lessons up though, so that explains why I might not post as much as others.

Anyways, I didn’t mean to go on and on about this. Simply put, thanks for reading the Sundance Press, and keep coming back please!

Old Habits Die Hard

I’ve been writing for a pretty long time; I’ve brought that up before. A problem I always faced as a young writer was lack of focus and commitment. One day I want to write about something—and I’ve got the ideas all up top—but the next day, I’m bored. Maybe not bored with the idea, but bored with writing it. Something else would steal my interest, and I’d move onto that.

It was hard for me to focus on a single project, basically. I start something; I don’t finish it. I did that a lot, if not always. A lot of people have that problem. I know I have that problem, but I thought that I grew out of it a bit.

Seems I haven’t quite ditched the habit. It’s difficult, because while I am able to embark on a project and focus on it, I have so many ideas! I’m working on two novels and one serial. Those are all time-consuming projects. Amidst those things, I need to update this blog more often. I need to sit down and write articles for my job. When I do take the time to work on a personal writing project, I don’t know where to start. I don’t know which project to work on. Then the thought comes to mind that I should start writing something entirely new. A short story, or flash fiction. Something I can submit to places and possibly get published and paid for.

As much as I talk on this blog, and try my best to help people (mostly with their virus problems, as it seems from my 100+ hits a day on my “System-Check” Virus post), I have problems myself. I know I have the skill and ability to do useful things, but more often than not I just don’t know where to direct my figurative blows.

Old habits die hard, and I’ll still have to grapple with them for control. In the meantime, it’s good to take a step back and remember that everyone is always learning. As a writer, you never stop growing, and I’ve only just begun my journey.

Storiad.com

Today I decided to talk about a site that I stumbled across awhile ago, and have just now been looking into more deepy. It’s called Storiad.com, and put short, it’s a writing community created with the purpose of connecting publishers and various other media professionals to writers.

The site is put together pretty well. I’m still learning the ropes myself, but it’s easy to navigate and pleasing to the eye. The founder of the site, a writer named Ramzi, launched it back in 2010, so it’s still in the beta phase and constantly evolving. It’s free for writers to sign up right now (I’m not sure if that might eventually change), so there’s really no reason not to go sign up and check it out. For media professionals looking for writers, it costs a monthly fee, which is actually rather fair. It’s a great resource for either side from the looks of it.

The focus of the site is to “pull” in a traditionally “push” industry. As a writer, you do a lot of pushing to get jobs. The idea behind Storiad is to create an environment that a publisher can come into in which they pull writers into job opportunities. Having your work speak for itself sounds nice, doesn’t it?

The profile setup is pretty detailed, creating something along the lines of a resume. Beyond that, you can fill out pages for each of your projects, adding tags for archival purposes, as well as a short “pitch” for your story just as you might include in a query letter. It’s encouraged that you post a portion of your story (the first chunk or so) so that scouts can read over part of your story, as well as your professional information and query letter behind the story, all without you having to do anything.

Sounds too good to be true, and with a slew of writers on the site, it might be a little difficult to find people just coming to you. I haven’t fully investigated and tested the process, but what I see looks good. There’s also a marketplace section of the site that lists various media companies who are looking for submissions from short fiction to screenplays. It looks like there’s a good community aspect of it as well, which I won’t go into because I haven’t experienced it yet for myself, but it looks like you can find critique from other writers on Storiad too.

Since I’m no expert on this matter, I’d suggest you check it out for yourself. Remember, any publicity is good publicity!

Why Do You Read This Blog?

As you can see above, I decided to ask you all a question. Why do you come here? I’d imagine usually by accident, woops! But if you did happen across my humble little corner of the web, what made you check it out? What makes you come back? Maybe it’s as simple as wanting something to read, or maybe it’s as serious as learning from the the tips and tricks I write about. Do you enjoy my writing; my fiction or my articles? Anything!

So don’t be shy, lazy, or difficult. Just click one of the options and press “vote“. If you’ve got a more specific reason, go ahead and type it in, or leave a comment here. I love to hear from my readers, and it’s nice to hear what people actually find interesting to read about here. Maybe the results will sway me to focus on certain aspects of the blog a bit more.

Thanks for reading everyone!

Children of Solus – Chapter Seven Is Up!

The latest chapter to my working post-apocalyptic novel is up for public viewing! Keep in mind that it’s in first draft form, so feel free to let me know if you come across any kinks that you think could be worked out. I love seeing my reading from my readers’ perspectives!

If you haven’t read any previous chapters, head over here and catch up!

 

Chapter Seven

The table was drenched in blood, the floor around it stained and slick. Kerning lay on the floor motionless, his clothes as soiled in red as the ground he rest against. Tavis’ eyes were closed, his hands flush against the side of the table as he watched silently over his friend.
    “Tavis… is he?” I had to catch my breath”the whole scene caught me off guard.
    “Gonna be nursing a nasty shiner in the morning? Yes.” His reply didn’t seem the answer the question in everyone’s mind. “I punched him. He’s fine”it’s not his blood.”
    Kerning moaned incoherently, rolling to his side. He did have it coming.
    “How is she?” Alyssa scooted past me, going to Jane’s side.
    She didn’t look good. The amount of blood she lost was staggering; her skin now shaded a pallid white. She was still breathing though. I guess Kerning didn’t have any blood to transfuse. Even if he did, I’d hate to guess who it was from. Maybe she was better off with whatever she had left.
    “She’s hanging in there…” Tavis crossed his arms, his voice barely above a whisper. “We won’t be able to tell if the venom is still spreading until later tonight.”

 

Read the rest of the chapter (and other previous chapters) here!

Creative Process

What’s a creative process? Well, if you need hourly caffeine intake, that’s creative process. If you need to write your story from end to beginning, that’s creative process. If you need to stand on your head to get the brain juice flowing… that’s just weird, but I suppose that’s creative process too. Basically, anything that enables you to effectively siphon what’s in your head into written material is a component in your personal creative process.

Naturally that means some people have awesome creative processes, where they both channel their imaginative and productive abilities and are able to pound great writing out. Some peoples’ creative processes are slower, more procrastinating, and even if they stay true to their imagination and what they love, they don’t get much done. I’m pretty sure that’s always been me.

Even when I was little, I loved to write. I’m talking probably 6-years-old and up. I remember the first story I really sat down and tried hard to write (on paper); it was called Wally The Waterbug, and it wasn’t a comic, it was a written story. He walked across the road, almost got ran over by a car, and got flung up into the bed of a truck. After the truck pulled into the garage, he got flung into the house somehow (repetitive flinging, I know—I was 6 or 7) where he fell into the cracks of a keyboard. I never got any further, but the idea was that kilobytes and megabytes (in the form of Pac-Man-esque evil creatures) then would chase him around trying to eat him. This poor waterbug clearly had a very upsetting life, and I don’t think the story had much purpose beyond that, but hey.

Imagination is great and all, but if this happens to you, call a doctor. (Image by xbooshbabyx @ devART.)

The reason for the useless trip down memory lane is to highlight the birth of my creative process. I started on something, got bored, and never touched it again. Totally understandable for a little kid, but the problem is, I did that same thing for the next decade or so. I’d start writing something (usually fan-fiction about whatever I happened to be into at the time), and would quickly grow tired of the project before moving onto something else. My creative process was a rather nasty cocktail of procrastination, impatience, and boredom.

So how did I kick it? I didn’t. Well, I did, but bad habits are the hardest ones to kick. I think over the years I’ve gained a little more patience simply through getting older. I make a strong effort to read what I write after the editing process just to see what I’ve accomplished and say “Hey, that’s pretty darn good. This is worth continuing.” I also make sure not to embark on projects that won’t hold my interest. I wrote a short story not long ago that didn’t fall under any of the genres I love so much. It was a thriller, maybe with a little bit of a psychological element thrown in for good measure. I had an idea, and I rolled with it. I put it on paper over the course of a few days. I made sure not to let the ideas in my head grow stale. Why? That brings me to my next point.

I’m what they call a pantser. I explained the term in another one of my posts, but I’ll explain it again.

Pantser: Writes by the seat of his pants—dislikes planning and outlines.
Planner: Plans their writing ahead of time—swears by the use of outlines.

Simple enough, right? Right off the bat, you can probably pick out which one you are. Now most “novice” writers are pantsers, but many famous authors can call themselves pantsers as well. I think when a writer hasn’t developed their craft yet, and hasn’t established exactly what their creative process is, they’re a “novice”. Once you pin down those things, you’ll probably form a structural process. As in, maybe you’ll discover that sitting down and throwing all your ideas down into a document helps you move your story along faster and more effectively. But on the flip-side, many might find that they just prefer flying free. There’s no right way, only the way that works best for you.

In the past, I was young and lazy. I never made outlines, I never did any of that stuff. I just wrote when I wanted to, and ditched my work when I got tired of it. Nowadays? I still don’t use outlines. I’m not against them, but I run with a different method. I have a good memory when it comes to my stories. I know what’s going to happen and when—not because I wrote an outline of it—but because I’ve got the scenes imagined in my head. When you can see the scene in your head as a real, moving scenario, I think you’re far better off than simply referring to a quick, dead blurb of text on a scene such as “Thieves ambush the protagonist, gunfight ensues.” If it’s in your head, you can see the dust fly, smell the gunsmoke, imagine the inner thoughts of your character as he fights for his life. It’s more real, and that translates well when you actually write the scene.

That’s not to say that making use of an outline makes your writing less powerful, or simply worse. On the contrary, sometimes it helps you remember key details that would otherwise be lost. That’s why everyone’s personal creative process is different. I can use my head. I can remember. When I put something into an outline, it takes some of the life out of it, and further than that, it doesn’t allow my story to have the twists and turns and last second changes that I often incorporate. If I sat down and started outlining everything, the writing just wouldn’t be honest. That’s a problem.

Some people feel just the opposite, and that’s totally fine. In the end, you do what works for you. That’s the most important thing. Just remember not to feel bad about yourself because you don’t have some articulate, masterful process of outlining each scene, summarizing every character, etc. If your quirky process creates material that you’re proud of? Well then you’ve got nothing to worry about, friend.

Breathe Life Into Your Writing! Part I: Personification

Have you ever written a paragraph of a story you were working on, read it back, and grumbled at how plain, uninspiring, or boring it was? Well, we all have. Even if you’ve got ideas in your head, as great as they might sound inside, sometimes you’ll put them on the screen and completely disappoint yourself. What sounded like an exciting, action packed scene in your mind now looks like a trudging block of exposition. It’s boring.

Don't let your exposition stay looking like this!

Well don’t let it get you down. It’s just something that’s going to happen when you’re pounding your thoughts into material. Quite often, even if what you just wrote looks terrible to you, it’s still a vital step in the creative process. It’s extremely important to put your thoughts down in written form. So many “writers” have the story all in their heads! It might be amazing and inspiring and wonderful, but no one can see it. That’s why actually filtering the ideas out of your mind into visible form is so important, but it’s of course only the first step.

Let’s go back to that boring block of exposition. Odds are that you’re going to have to dissect it, chop it up, sew it back together, and send a bolt of lightning into it before “It’s alive!” Silly, but truer than you think. Quite often you will have to remove entire sections of writing, even if your productive ego tells you “What are you doing!?” It just feel unnatural and wrong to delete something you put in your story, but trust me, don’t be afraid of it. Often less is far more, and there’s only one way to find out when that’s true.

But that still doesn’t say much for energizing that dead chunk of text. If you chop up paragraph cadavers and splice them back together, you’re still using dead word-meat. What do you need next? A bolt of lightning! But where do you find that? Well, there are many viable alternatives to a lightning rod affixed to your roof. Writing is an art, and just as there are a myriad different ways to bring a painting to life, the same can be said when it comes to writing. I’m going to bring out one that I personally like to employ in my work.

Personification. What’s that? Well, basically it’s when you take an lifeless, inanimate object, and give it active, even human traits. If you cut eyes and a mouth into your sandwich and make it talk, I suppose that’s personification. Thankfully we can be much more subtle when it comes to writing. How can we do this? Well the best way to explain is with an example.

The wind moved the curtains.

This sentence of exposition is to the point, but it’s also pretty boring. I think I just yawned.

The blackened night exhaled a heavy breath against the curtains as they fluttered in a ghostly dance.

Alright, I’ll admit I went a little overboard there, but this looks a lot better, doesn’t it?

Looking at those two sentences, why is the second one funner to read? It’s hardly because of the dramatic descriptive adjectives. Don’t believe me? Then let’s strip it bare, leaving only the personifications.

The night exhaled a breath against the curtains as they fluttered and danced.

It still sounds pretty darn good, doesn’t it? Some would even prefer this version to the last. Why? Well that’s a key point when it comes to personification. A writer can pile on all the fancy adjectives he wants onto his work, but when you overuse adjectives, you’re telling the reader what something is like, you’re not showing them what it’s like. That’s probably the most widely preached mantra of writing: Show, don’t tell.

Maybe this is a bit too literal of a visual aid, but I kind of want middle one's number and to have a brewski with the one on the left.

When you utilize a personification as opposed to a handful of adjectives, you’re giving your setting human characteristics. Obviously, any human is going to more fully connect with human characteristics. It hits home harder, and it wraps us up in the scene. You see? That’s a personification right there “It wraps us into to the scene”. Obviously a sentence or paragraph cannot physically wrap around your body, but through use of a personification, your mind immediately grasps the idea behind that phrase and interprets it in a very literal, visceral way. That’s why personifications are so powerful when read. You might not even see them as you read, but they’re there, and they make you keep reading.

So now that you understand exactly what personification is, why don’t you try it out? I guarantee that you already use it in your writing, even if you never thought about it before, but now that we are thinking about it, let’s practice and evolve this particular skill.

Below is a list of random, lifeless objects. They’re lifeless because they’re not breathing and thinking, but you personally can breathe life into them through personification, and they will repay the favor by breathing life into your story.

Wind
Marble/s
Camera
Dress
Xylophone

So take each of these boring, inanimate objects, and use personification to place them each in a sentence that imbues them with life and human characteristics. Remember to make good use of active verbs, not passive ones (like were, had, and was), and for a twist, try to use little to no adjectives in each sentence. Don’t be afraid of using emotion! Just because a mansion can not feel literal sorrow, it can look very sad and alone as it sits atop a dark, cloudy mountaintop, right?

Post your practice results in the comments section and let me know how personification works for you!

Ready for part two? Read the next lesson here: Breathe Life Into Your Writing! Part II: Metaphors & Similes

Words With Friends – Vocabulary Booster!

Ritz? That's a good one.

I’m not ashamed to say, this game sucked me in right away. I’ve always been a big Scrabble fan, so when I watched someone play WWF (Words With Friends), I thought it was stupid. I mean, come on, you can sit there and put down complete nonsense words, forcing your moves onto the board and basically “checking” if they’ll work or not. Theoretically speaking, you can try everything you have (or don’t have) before choosing which move is the very most points. There’s not a great deal of skill and foresight involved. Does that make it bad, though?

Not really.

If you’re a Scrabble fan, you have to come at this game knowing that it ISN’T the same game. It’s all too similar, sure, but it’s in a whole ‘nother ballpark when it comes to actually playing the game. Obviously it’s far more friendly to beginners than Scrabble, as well as being a lot easier to play if you aren’t a walking dictionary like some people are. It’s easy to jump into, and those who might find Scrabble tedious, time-consuming, boring, WWF will be a lot funner for them. If you haven’t tried it yet, go ahead and check it out. it’s even on the iPhone or just about any other smart phone!

But as is true with any word game, it’s a good little exercise for you if you’re a writer. Scrabble is great for thinking of words and terms that seldom cross your mind otherwise, sure, but when it comes WWF, you’re likely going to learn a new word every couple turns (at least when you first start). I mean, maybe you knew that xi, qi, and qat were words, but I sure didn’t. It’s certainly a learning experience.

At the same time, that doesn’t mean it’s only full of crazy, ridiculous two-letter words composed of Q’s and X’s. You’re going to be really using your brain, building words and connections that you typically would never think of. You can never go wrong with working out your mind, and this game definitely is a workout, especially when you’re playing someone whos… well, a lot better than you. I wonder how good Alec Baldwin is…

So, do you play Words With Friends (or do you wanna start)? Add me on Facebook here and challenge me!