Following this current trend of me humbly asking you (yeah you—I see you there) what you think about this blog, I wanted to pose a more interesting question this week. Nothing too difficult, but I think it’s a fun topic.
What inspires you?
It can be a song, an author, an artist, a place, anything. Inspiration comes in every form, and part of being a successful artist (of words, paint, or whatever else) is knowing how to absorb that inspiration! I’ll admit it can be hard, especially when you just aren’t in a creative mood, but I’ve compiled a few tips on how to get those creative juices flowing.
- Listen to music: Maybe even music you don’t usually listen to. Check out new stuff—it may stir up new ideas in you!
- Watch movies: You might feel like a lazy schmuck, but visual stories are powerful tools of inspiration!
- Move: I’m not talking about moving states or houses, just move! Absorb your environment, even if it’s made of brick and stone.
- Read: This one kind of goes without saying. You don’t need to copy things, just absorb the ideas and life within your favorite author’s books and let it spark your imagination.
- Browse through art: Sites like deviantART have amazing artists! Just browsing through the galleries is a great way to come up with new ideas.
- Live: No, I don’t mean that in a touchy-feely sense. I mean just let your everyday life inspire you. Fictionalize your world!
Those are all pretty basic tips, but I think they’re the most useful things you can do to get inspired short of just sitting down and thinking! Sometimes that’s the hardest thing to do, but never downplay your own ability to craft your very own ideas through good old brainstorming. Some people take a notebook with them everywhere they go, jotting down ideas when they get flashes of inspiration. I personally don’t, because while I can’t remember other things, my mind is a trap when it comes to any writing idea that pops up. Still, find what works for you. You don’t want to forget something important!
Something I find useful is capitalizing on your inspiration sooner rather than later. If something happens, or you see or hear something that inspires you, write about it quick! I just went through hell dealing with a computer virus, and it inspired me to start on this crazy techno-thriller. It’s a big project, so I didn’t bite off more than I could chew, I just started on it. That’s what I’m suggesting. If your mind is ticking, telling you what to write, write it! You don’t have to finish it, just get those ideas on paper, even if you just throw down a rough first chapter; it still gives you a base. I’m the same way with my poetry. I don’t focus on poetry—it’s just a hobby for me. When something hits me—inspires me—I write a poem about it. It doesn’t take long, and it doesn’t take too much effort when I’m feeling inspired. I also think that if you have a poem written up, you can always use it as a basis for something bigger in the future (if you end up going that direction).
So what inspires you? Who inspires you? What’s something of yours that you’re proud of that just… flowed? When inspiration hits hard, sometimes you can quickly crank out some amazing work. Has that ever happened to you?
Be sure to leave a comment!
As you can see above, I decided to ask you all a question. Why do you come here? I’d imagine usually by accident, woops! But if you did happen across my humble little corner of the web, what made you check it out? What makes you come back? Maybe it’s as simple as wanting something to read, or maybe it’s as serious as learning from the the tips and tricks I write about. Do you enjoy my writing; my fiction or my articles? Anything!
So don’t be shy, lazy, or difficult. Just click one of the options and press “vote“. If you’ve got a more specific reason, go ahead and type it in, or leave a comment here. I love to hear from my readers, and it’s nice to hear what people actually find interesting to read about here. Maybe the results will sway me to focus on certain aspects of the blog a bit more.
Thanks for reading everyone!
I had a fun morning today, and my work still continues. A rather nasty virus attacked my writing laptop (the one with my life on it, y’know), so I’ve been frantic to get it working again. Thankfully I think I’ve got it under control, and I also snagged a little job this morning, so I decided to sit down and tell you lovely people about a publishing opportunity I came across today.
A weird one.
Obsolescent.info has an open call out for short stories. About what, you ask? About octopusses—er, octopi. I kid you not, this little press is working up an anthology of short stories focused on our aquatic eight-legged friends. Odd? Yeah, it is, but it also sounds like fun, doesn’t it?
This company is offering 20 bucks for each story. They need 10-15 of them, and they’re looking for stories about 1000-7500 words long. As for the contract, it looks like they’re only claiming non-exclusive rights, so basically they’re allowed to do what they want with your work, and so are you. What genres are they looking for? Well, basically anything. No kidding.
That’s about it. If you’re interested or just want to find out more, check out the page for submission guidelines below!
Today I thought I’d talk about a cool little forum with a laid back attitude: A Fever Dream.
The place is brand new—as in, it just started up this week, but there are already over 60 members. It’s close-knit and active, and whether you’re a comic artist, classical artist, or a writer, everyone is cool and constructive. Basically, if you’re looking for fair critique and honest opinion, you’ll probably get it here, and fast. Just be sure to spread the love.
In addition to feedback, you’ll find helpful resources, previews into the current projects of talented artists, and all sorts of contests. Currently there’s a “Draw Everyday” thing going on come February, a writing contest using prompts that’s going on right now, as well as an open call for a forum banner/header. All in all, the forum has a focus on creativity and fun. You’re not going to find that same easygoing, pleasant attitude on other large sites.
That’s about it—hope to see you there!
Usually I’m never at a loss for word when it comes to writing. If you frequent the blog, you’ve probably noticed that I tend to go on and on and on and… well, you get the point. Even if I may give some people headaches, that long-winded quality I have is a blessing when you’re a writer. You can always edit yourself. You can’t always pull new things to write out of your arse. (Unless you’re far more talented than I.)
In any case, let’s talk about blogger’s block today. Is that a real term? Beats me—I just made it up. I’ve heard the comment “fiction writers are terrible blog writers” again and again, mostly spammed on twitter by someone who tweets “writing tips”. I didn’t agree. Heck, I still don’t agree. Fiction writers are the best writers anywhere. Not only can they write their butts off, they have the imagination to back it up! I don’t post a whole lot of fiction or writing on this blog; I mostly post tips and lessons off the top of my head for my lovely readers. If you’re new to the blog, I’d suggest you follow and/or check out my Breathe Life Into Your Writing! series. I’m not gonna link it or shove it down your throat, but it’s there if you wanna check it out. It’s pretty helpful if I don’t say so myself.
In the end, I think everyone gets blogger’s block. I post something everyday. It can be tiring, especially when I forget to all day and then throw something up at 6pm (which coming from Hawaii is much later anywhere else). Those days certainly don’t get me many hits. So how do you keep up on things, keeping them fresh, useful, FUN? Beats me, I’m flying by the seat of my pants. Since this post should be useful and informative, I’m gonna take a step back and link people who know more than me. Believe it or not, I do not know everything (can you believe it?), so occasionally I should leave it to the other know-it-alls. They need love too.
As you can see, blogger’s block is a serious thing, and a real term (I just found that out). So to take a tip from those articles, I’m gonna ask a question:
What do you guys want me to write about?
I’d honestly love to hear. The comments box is right down there, just scroll… click… type. Did you do it? Attaboy/girl!
That’s all for now. Have a nice weekend everyone.
Today I thought I’d try my hardest to be brief, yet helpful. I’d like to set the spotlight on a little site who both publishes stories online, via e-book, through a weekly review subscription, and also appears to be interested in full novels. Who are they? Katherine Press.
If you don’t feel like checking out the site, I’ll say that their market is that of chick-lit and anything pertaining to girls and young women. Their site looks so nice and cleanly put together that a part of me wants to submit something too, but… well, chick-lit isn’t my thing. I think I would crash and burn, but maybe you wouldn’t! They’re looking for everything from poetry and short stories to personal essays and full length novels.
They offer to pay flat-rates for the various types of submissions. They don’t advertise what those rates are on the site from what I can tell, but their email is there on the site and I’m sure they’d be happy to answer any of your questions. They also are giving themselves a six-week window before they reject or accept your work, so be patient.
Hope it goes well for you if you decide to take a shot at submitting something. Be sure to tell me what you think or have experienced with this company too!
In this installment I’m going talk about something a little more… epic. Like personification and metaphors, this tool will go a long way towards giving something bland and boring new life. What’s different about it, though? It’s far more difficult to pull off, unlike the relatively simple practice of using personification and metaphors. What is it?
I think this concept makes a lot of newer writers nervous—like they want to use it effectively, but are afraid that they won’t be able to execute it correctly. Those concerns aren’t unwarranted. There are certainly simple uses of symbolism that you may have already used without thinking, but creating lasting, powerful symbols that carry through your writing is another story.
Because symbols are so… symbolic, it’s easy to turn them into clichés. Clichés are something you want to avoid as a writer. Some people like them, and I’m one of the few that believes they can add to a story with careful thought, but that’s another topic entirely. The point is, symbols can easily become clichés. Why should we avoid that? We’ll get to that a little later. For now, let’s look at some examples of simple symbols.
A man wearing pastel colors with a wide smile on his face.
The permeating smell of death inside a dreary old mansion.
A crusty pile of bones deep in the woods.
These are all pretty simple, and that’s the point. You probably wouldn’t think twice about any of these things as you read them within a story, but they are indeed symbols. The first would immediately tell you the pleasant, sunny demeanor of the man (unless you use it as an oxymoron, and he’s really an axe murderer). The second paints an immediate picture and mood behind a very scary venue. If a mansion smells like death, it’s not a very nice place. The third example is the most obvious use of symbolism. If your protagonist finds a pile of bones in the woods, it immediately tells him that he’s in a dangerous place. It creates suspense.
Did you notice? Each of these symbols have very different effects! The first might tell the reader about someone’s character (or create suspense if the symbol is an oxymoron), the second paints a better picture of the mood and setting, and the third primarily creates suspense, as well as telling you the mood of those woods. That’s the thing about symbols; they can achieve a variety of effects in comparison to the other writing practices I’ve highlighted in this series. While a metaphor might just make your reading a little more interesting, and might help set the mood a little but, even the smallest, subtlest symbols can paint a picture of your story in very graphic ways. That’s why it’s easier to mess up on them!
But how about bigger symbols? Ones that stretch far across your tale? Those are the most difficult to use to perfection, because they usually go a very long way to conveying two very important qualities to your entire story.
The first is mood and setting. Usually mood and setting only apply to one scene. The type of words you choose within a scene go a long way to telling the mood. If you employ verbs like “sweeping, drifted, ebbed, murmured” the mood of the scene is quite clearly slow, dreary, measured. It’s probably building suspense and leading up towards actions. If you use verbs like “snapped, bolted, snatched, barked” the mood of the scene is frantic, urgent, intense. As you can see, your word usage tells the mood of one particular scene.
Setting is a bit different, and not so straightforward. It’s up to you and your skill as a writer to paint the picture of your setting correctly. Setting directly relates to mood, and vice versa. If you write about a dark, scary tunnel full of ghostly whispers, the setting is going to make the mood scary. You can tell why setting is important now, can’t you? If you create a lackluster image of the setting, the reader probably won’t be able to interpret the correct mood, or a mood at all! If the reader doesn’t feel the mood of the scene, it’s very hard for the words on the page to draw them into your writing.
How can powerful symbols carry both setting and mood across your story, though? Well, that usually goes hand in hand with the theme of the story. Theme generally is a wide-stretching mood cast upon your entire story, but it also directly relates to the conflict and goal, beginning and end. It also makes up the entire message of the story. It tells the reader why the story is what the story is, as well as the purpose of the story. Before I create a few examples, look at a powerful use of symbolism in a famous piece of fiction.
In A Sound of Thunder by Ray Bradbury, a butterfly is stepped on far in the past by a time traveler from the future. That small death changes history in a drastic way. Where’s the symbol there? Well, it’s the butterfly. That seemingly small symbol highlights a powerful theme of change. That tiny, insignificant insect changed everything, and placed a fierce level of guilt upon the person who stepped on it, and that guilt goes a long way to setting a very dramatic mood. Pretty epic stuff, right? Doesn’t it make you want to think up a powerful symbol for your own story?
Let’s look at some examples now. Open your mind and let your creativity flow! I hope these can stir up your imagination. Focus on the structure of these—how they work—and then sit down to think up some powerful symbols of your own!
Deep in the blistering Sahara, a spelunking hero battles murderous smugglers within looming desert caves. A sandstorm howls a violent tune as the combat ensues. The protagonist fights valiantly, and bests the thieves as he blows the entrance to the cave shut with a bundle of dynamite, entombing them with their ill-gotten treasure. As he steps back onto the blistering desert sands, the storm dies down and rain begins to fall.
A withered old man sits on the porch during a nice big family reunion… except it’s not nice at all. His children and grandchildren bicker like kindergarteners. He tries his best to keep the peace, but his words fall on deaf ears as grudges and rivalries lock in the negative mood. Sat upon his old wicker chair on the porch, he watches the tranquil, trickling creek in front of the house. Since his childhood, he’s played along the bank of the gentle stream, but now the feed of clear crystal water is stopped up and dirty. Taking a long deep breath, he thinks on a kind and happy past before passing on.
As you can see, these examples aren’t short little sentences. They aren’t simple visuals that portray a mood or help paint a better picture of a setting. These larger, stronger symbols can be literal or figurative—usually both. They can be embodied in a concrete object or something more ethereal; maybe an emotion, or a state of affairs, or even a spoken phrase. Something that almost always makes up that symbolic connection is a visual (or perceivable) symbol directly connecting to a figurative message. Let’s pick each of the examples above apart and see how they utilize symbolism.
In the first one, we have something like you’d see in an Indiana Jones flick. You might think that in a story involving so much action, there isn’t a whole lot of room for symbolism. Well, that’s not exactly true. When you’ve got lots of action, there might not be a great deal of room for deep, thoughtful symbols. They don’t always fit into a fast paced, action-packed tale. That doesn’t mean these kind of stories need to be devoid of strong symbols though. In the example above, I used weather as a symbol.
I think we can all think of a movie we saw where rain poured down as the protagonist cried or dealt with some saddening emotional situation. That’s a very cliché symbol to use. Like I said above, we should generally avoid clichés. They’re predictable and they can very easily make your story boring. That’s why I personally dislike the vast majority of romantic comedies. The symbolism and structure is usually very “cookie-cutter”, and that’s basically just another word for cliché. When a romantic comedy like 500 Days of Summer comes along, I’m pleasantly surprised. That one broke down certain walls and did a great job at finding originality within a genre that’s been beaten to death, but I’m straying from the point.
In my action story example, while the protagonist battles the bad guys, a violent sandstorm rages outside. The wild weather mirrors the action the hero is involved in within the caves, and once he comes out victorious and back into the desert, the storm dissipates and turns to rain. I took the old rain cliché and gave it a twist. Instead of the rain symbolizing pain and sorrow, it’s an emotional release. A washing, peaceful symbol contrasting the frantic, stressful scene that made up the rest of the story. It’s a happy ending, and it allows the reader to set the story down feeling good. Cliché? A little bit, but it works. Never underestimate the power of a soothing happy ending. I might enjoy and write stories with a darker, emotional undertone, but that doesn’t mean happy endings are all bad. You just have to figure out what fits your story best.
In the second example, we have a very different use of symbolism. It’s a very reflective story, and the theme underlying is that of change. The protagonist, the old man, is surrounded by stress, bad feelings. He’s thinking back on his childhood; on happy times when that stress wasn’t there. The symbol here is the creek he played around as a child. While times were once tranquil—just like the stream—now they are stressful and dirtied up. As a reflection of that, the creek is now stopped up and tainted. The theme entails change of situation and a change of times, and the symbol of the creek plays a powerful symbol between those things.
So, now that you’ve seen some examples of symbolism, do you think you can put them into your story? It takes a bit of effort creating those powerful links and ideas, and even more effort putting emotional strength and visuals behind your symbols, but if you understand your story on a deep level, the symbols will almost create themselves.
Unlike the last two chapters of this series, there’s no exercise to test out your skills this time. Instead, post a comment telling about a symbol you’ve used in your writing before, or one that you’d like to use now!
Be sure to check out the first two installments of the Breathe Life Into Your Writing! series in the links below if you haven’t read them yet! Stay tuned for the next part, where I’ll talk about… dialogue!
About a decade ago, when I was but a wee little boy, my mom and I found this cool new site for artists called deviantART, or devART for short. One could create a profile, upload their artwork, and browse and comment on other artists’ pieces. A very cool little online fellowship of like-minded artists, photographers, and anyone else with a mind towards all things artsy and fartsy.
I was little—I drew a picture of a Lego Bionicle, a monster, I painted a tree, etc. I also took lots of pictures back then; some of them were even pretty darn good. Since I was 10 or 11 during this time, I got a pretty good amount of attention. I mean, a decently talented little squirt is so much more exciting than a decently talented adult. Eventually I got tired of the site and moved on. I can’t remember why, but that’s the story as best as I can recall.
Yesterday I read a tip that there’s a pretty good writer base over there nowadays. Ever come across those little scrolling blocks of text while you searched for something on devART? I did too, and I realized they were stories, but I never really thought much about it. After reading about the site again, though, and how many writers made their home there these days, I decided to check it out.
The site hasn’t changed much in over 10 years. No, besides the subscription system that costs real dollars and grants you some cool little privileges and features, devART operates the same as it always has. That’s not necessarily a bad thing, since it was a very user friendly place to begin with. It’s clean, effective, and a fun site to loiter about, wasting hours of your life on.
Like I was saying, there’s loads of writing on the site these days. There are also a number of “groups” on the site focusing on writing, so be sure to check those out to publicize your stuff. There are a slew of different sites to upload your writing online, but probably nothing near as popular as devART. The only issue is that most people on devART are browsing for images, not stories. I can’t tell you whether it’s a great place for writers or not yet, but there are a few perks that I can point out right away.
The site is by all intents and purposes a social media applet. You’ve got watchers, comments, favorites, friend lists, and whatever else I forgot to mention. Play your cards right, make some contacts, and you’ll drum up a nice following and some helpful feedback on your work. If you don’t do that, the feedback you do receive will probably be pretty shallow. It’s common to hop over to someone’s latest image, say “This is awesome!” and have them offer a similar comment on something of yours out of courtesy. There’s an unspoken etiquette as there is with many sites like this. Observe and learn these unwritten rules if you want to fit in and get comments.
That’s all I’ve got for now. Anyone else experienced when it comes to writing on devART? Leave your knowledge in the comment box below, and be sure to check out my devART profile at the link below! I’m a newbie on the site again, and I need contacts too!