Category Archives: Publishing Ops

Storiad.com

Today I decided to talk about a site that I stumbled across awhile ago, and have just now been looking into more deepy. It’s called Storiad.com, and put short, it’s a writing community created with the purpose of connecting publishers and various other media professionals to writers.

The site is put together pretty well. I’m still learning the ropes myself, but it’s easy to navigate and pleasing to the eye. The founder of the site, a writer named Ramzi, launched it back in 2010, so it’s still in the beta phase and constantly evolving. It’s free for writers to sign up right now (I’m not sure if that might eventually change), so there’s really no reason not to go sign up and check it out. For media professionals looking for writers, it costs a monthly fee, which is actually rather fair. It’s a great resource for either side from the looks of it.

The focus of the site is to “pull” in a traditionally “push” industry. As a writer, you do a lot of pushing to get jobs. The idea behind Storiad is to create an environment that a publisher can come into in which they pull writers into job opportunities. Having your work speak for itself sounds nice, doesn’t it?

The profile setup is pretty detailed, creating something along the lines of a resume. Beyond that, you can fill out pages for each of your projects, adding tags for archival purposes, as well as a short “pitch” for your story just as you might include in a query letter. It’s encouraged that you post a portion of your story (the first chunk or so) so that scouts can read over part of your story, as well as your professional information and query letter behind the story, all without you having to do anything.

Sounds too good to be true, and with a slew of writers on the site, it might be a little difficult to find people just coming to you. I haven’t fully investigated and tested the process, but what I see looks good. There’s also a marketplace section of the site that lists various media companies who are looking for submissions from short fiction to screenplays. It looks like there’s a good community aspect of it as well, which I won’t go into because I haven’t experienced it yet for myself, but it looks like you can find critique from other writers on Storiad too.

Since I’m no expert on this matter, I’d suggest you check it out for yourself. Remember, any publicity is good publicity!

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Looking To Get Published?: Obsolescent.info

I had a fun morning today, and my work still continues. A rather nasty virus attacked my writing laptop (the one with my life on it, y’know), so I’ve been frantic to get it working again. Thankfully I think I’ve got it under control, and I also snagged a little job this morning,  so I decided to sit down and tell you lovely people about a publishing opportunity I came across today.

A weird one.

Obsolescent.info has an open call out for short stories. About what, you ask? About octopusses—er, octopi. I kid you not, this little press is working up an anthology of short stories focused on our aquatic eight-legged friends. Odd? Yeah, it is, but it also sounds like fun, doesn’t it?

This company is offering 20 bucks for each story. They need 10-15 of them, and they’re looking for stories about 1000-7500 words long. As for the contract, it looks like they’re only claiming non-exclusive rights, so basically they’re allowed to do what they want with your work, and so are you. What genres are they looking for? Well, basically anything. No kidding.

That’s about it. If you’re interested or just want to find out more, check out the page for submission guidelines below!

http://www.obsolescent.info/guidelines.html

 

Ether Books – A Stepping Stone In A Writer’s Career?

I’ll be honest here; I’ve been writing as a hobby for years, but never ever for a profit. I’ve never been published, because I’ve honestly never tried. Since I’ve been taking writing courses ranging from technical to fiction writing, though (and as I get older and actually need money), I’ve been doing a lot of searching for a good outlet to put my name out there. Blogging and uploading material online is all well and good, but it doesn’t give you that much publicity when you’re starting from scratch. I’ve never been a particularly internet savvy person when it comes to social media. Facebook, Twitter, Google+, they’re all cogs in the machine of establishing a name for yourself when it comes to many many different skill types. In my case, it’s much better for someone to have heard of you than to have not when you’re submitting written work. And so my effort in earnest begun.

I’ve only been at it for a few weeks. Perhaps I’ve done alright, it’s very hard to tell. I have lurked around for publishing opportunities, though, and that’s something this blog was created to highlight. Early in my search, I found a fledgling little e-book company who had invented some newfangled type of literature. I won’t name any names, since my thoughts towards them now aren’t entirely kind, but I will relate my experience.

This new writing method was pretty simple. It focused on emotion, so while you might be reading one of their e-books, the writing style would have a much greater emphasis on the character’s senses, as well as his emotions as the story progresses. All the while, there would be abstract illustrations placed within the pages, drawn in mirror to the protagonist’s emotions in that particular scene. To be honest, the hype they put behind it was extremely blown up. I mean, it’s interesting, it’s cool, but it’s not exactly revolutionary. I mean, I learned awhile ago that the first noted piece of experimental literature (The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne) written all the way back in 1759 even incorporated an entire page of black to mourn a character’s death. Expressive illustration in literature is nothing all that new, just seldom seen (undoubtedly because most people would not find it all that interesting).

Still, it’s an interesting idea and after reading all their information over I was a little excited to submit some of my work. Let’s be clear that when it comes to legalities, royalties, and pretty much anything to do with contracts and money, I’m a bit clueless. Reading over their contract, they preached the deal to be quite good. According to them, most publishers royalty numbers ranged from 6-10%. Theirs was 11.5%, and as they said, while you might publish one novel with a publisher, gaining 6-10% royalties off of it per sale, with them you could publish a novel in serial form, earning 11.5% royalties off of each purchase of $2.99. If you sold on astronomical levels, the royalty rate would slowly increase.

Um, wait a minute...

The next part of the contract discussed rights. In short, they would possess rights to your material for 5 years. You’d be completely prohibited from doing anything with it within that 5 year period. After the 5 years, you could opt out, but they would still skim 10% of your profits for the next few years. After reading this bit, I was more than a little apprehensive, but I was still interested. That’s when I hit the kicker.

Since they operate entirely on a word of mouth basis, putting no money into advertising, any writer employed by them is required to have a fairly impressive social media enterprise. 200+ friends on sites such as Facebook, Twitter, and Google+. I was fairly upset when I got to this part, and after discussing the matter with one of their editors, it was made crystal clear that if you don’t have the numbers, don’t even bother submitting your work. The entire thing was extremely strict, but from the perspective of a writer new to the publishing world, I figured that’s just how you played the game.

After this upset, I set out to obtain the social media numbers I needed. Another requirement was an active blog, and the Sundance Press was born. In the meantime, I kept up my search for other opportunities. I found a few ezines and whatnot, offering anywhere from $3-10  for short stories, but while I haven’t crossed that idea out, that’s not exactly the kind of thing I was looking for. In my search I soon came across www.Etherbooks.com.

Nice logo, right?

I had heard the name before, and it was quickly apparent that they are always open to submissions from just about anyone. I dove into the fine print right away, and was taken aback by how different the contract was. For one, the royalty rate is 20%. While the company sells only short stories through their exclusive app, they also accept short stories with a much more common word count (3000+ or so, compared to the 6500-10,000 that the other publisher wanted). Taking the smaller amount of work into account, the nearly doubled royalty rate made up for the difference.

As far as the rights went, you literally keep all rights to your work. That’s right, you can publish something on Etherbooks, and sell it to a third party ezine the next day, still completely within contract. Quite a contrast from the 5-year signing of one’s soul to the publishing Devil. It’s an understatement to say I was a bit more enthused about this publisher than the other.

As for what’s bad about it? Well, the first publisher sold their stuff for $2.99 through various ebook sites (and Kindle, etc.). Ether Books sells short stories (as well as serials, I believe) for 69 pence, which equals about a dollar in USD. Also, the other publisher was building a writers team of around a hundred. I wouldn’t be surprised if Etherbooks had upwards of a thousand writers. They seem to be very open to submitted work. Of various experiences with them, the story is usually something like “I submitted 3 short stories. Two were accepted and I haven’t been contacted about the last yet.” That leads me to believe that it might be quite easy to get lost in a sea of writers in Ether Books, meaning you might not get many sales at all.

It’s all speculation really. I haven’t been able to find anything of how well writers actually do with this publisher, but in the end it seems like a pretty risk free scenario to get your name out there. The contract is hardly a contract at all, the odds of acceptance are high, and the royalties are pretty impressive. What’s there to lose?

Since I’ve really found no negative reports about Ether Books, I’m going to write a few new short stories and submit them sometime soon. One is done so far, I’ve started on the second, and I have a good idea for a third. They promise to get back to you within 90 days concerning acceptance or rejection, and if you buy a premium membership with them (about $40) they promise to get back to you within 2 weeks. The other perk behind a premium membership is that you can publish as many pieces as you’d like, as opposed to only 5 without a membership. $40 is quite a bit when you realize that you’ll only be making about 20 cents per sale (before taxes…), but I suppose if you did become an established author through them, with a large library of pieces, you might do well enough to warrant the membership. In any case, that’s a bit far off for me.

I’ll be sure to post how my attempts with Ether Books turn out. It might be some time, but I’m not going anywhere. I invite anyone who’s had experience with Ether Books, or anyone who has published material through them to comment on what you thought about it!